Volume 25 - Number 4 - October 2005

The war of independence in feature films: The Patriot (2000) and the ‘special relationship’ between Hollywood and Britain
pp. 523 – 545
Mark Glancy

Whose finger on the button? British television and the politics of cultural control
pp. 547 - 575
Lawrence Black

Making Sunday what it actually should be: Sunday radio programming and the re-invention of tradition in occupied Germany 1945–1949
pp. 577 - 598
Alexander Badenoch

Early Spanish television and the paradoxes of a dictator general
pp. 599 - 617
D. Manuel Palacio

Televising sin: efforts to restrict the televised advertisement of cigarettes and alcohol in the United States, 1950s to 1980s
pp. 619 - 636
Pamela Pennock

Document: Pioneers in South African film history: Thelma Gutsche's tribute to William Kennedy Laurie Dickson, the man who filmed the Boer war
pp. 637 - 646
Michael Eckardt

Review Essay: Nazi Actresses as Trojan horses? ‘New’ and ‘traditional’ interpretations of third Reich film representations of women
pp. 647 - 654
Roel Vande Winkel

Book reviews
pp. 655 - 678