Volume 20 - Number 3 - August 2000
Introduction
Nicholas J. Cull
pp. 277 - 282
 
Protecting the Family and the Nation: the official censorship of American cinema in Ireland, 1923–1954
Kevin Rockett
pp. 283 - 300
 
Music Hall Dope and British Propaganda Cultural identity and early broadcasting in Ireland
Martin McLoone
pp. 301 - 315
 
'Purely Sinn Fein Propaganda': the banning of Ourselves Alone (1936)
John Hill
pp. 317 - 333
 
Projecting the Past: historical documentary in Ireland
Harvey O'Brien
pp. 335 - 350
 
Philip Donnellan, Ireland and Dissident Documentary
Lance Pettitt
pp. 351 - 365
 
Addressing the Eye in Ireland: Thaddeus O'Sullivan's On a Paving Stone Mounted (1978)
Cheryl Temple Herr
pp. 367 - 374
 
Punk on Celluloid: John Davis' Shell Shock Rock (1979)
Agnès Maillot
pp. 375 - 383
 
The Policing of Cinema: troubled film exhibition in Northern Ireland
K. J. Donnelly
pp. 385 - 396
 
Advertising for Peace: the state and political advertising in Northern Ireland, 1988–1998
Alan Finlayson, Eamonn Hughes
pp. 397 - 412
 
The Ballykissangelization of Ireland
Ruth Barton
pp. 413 - 426
 
The Banning of Titanic: a study of British postwar film censorship in Germany
Robert E. Peck
pp. 427 - 444
 
1922 and All That: the inner war in feature films of independence
Robert Cole
pp. 445 - 451
 
Book Reviews
pp. 453 - 463