Volume 18 - Number 4 - October 1998
SPECIAL ISSUE: HANNS EISLER AND FILM MUSIC
Guest Editor: Albrecht Dümling
Introduction. Hanns Eisler (1898-1962): the politically engaged composer - David Culbert
A Source is Revealed: a conversation with Jorvis Ivens about Hanns Eisler (1972) - Albrecht Betz
Hanns Eisler`s Chamber Symphony op. 69 as Film Music for White Flood (1940) - Tobias Fasshauer
Hanns Eisler`s Contribution to the New Deal: The Living Land (1941) - Volker Helbing
Composing for the Films (1947): Adorno, Eisler and the sociology of music - Martin Hufner
The Reconstruction of Eisler`s Film Music: Opus III, Regen and The Circus - Berndt Heller
Eisler as Hollywood Film Composer, 1942-1948 -Horst Weber
Hangmen Also Die (1943): Hollywood`s Brecht-Eisler collaboration - Jürgen Schebera
Eisler`s Music for Resnais` Night and Fog (1955): a musical counterpoint to the cinematic portrayal of terror - Albrecht Dümling
Solidarity Song: The Hanns Eisler Story (1996): some comments from the filmmaker - Larry Weinstein
DOCUMENTS
Film Music-work in progress (1941) - Hanns Eisler
Final Report on the Film Music Project on a Grant by the Rockefeller Foundation (1942) - Hanns Eisler
Women First: Titanic (1997), action-adventure films and Hollywood`s female audience - Peter Krämer
BOOK REVIEWS
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